Verband der Reform und Diätfachgeschäfte der Schweiz_logo.svg
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Verband der Reform und Diätfachgeschäfte der Schweiz_logo.svg

The Verband der Reform und Diätfachgeschäfte der Schweiz was a Swiss trade association for health food and diet retailers, later known as Verband Schweizer Reform- und Diätfachgeschäfte (VSRD) and linked to the BIONA brand, with offices in Zürich. Its logo was designed by Swiss graphic designer Walter J. Diethelm in 1971.

The Verband der Reform und Diätfachgeschäfte der Schweiz (Association of Swiss Health Food and Diet Shops) was a Swiss trade association for retailers specializing in health foods and dietary products. The organization later operated under the name Verband Schweizer Reform- und Diätfachgeschäfte (VSRD) and was associated with the BIONA brand, with offices at Ekkehardstrasse 9 in Zürich.[1] Swiss commercial records list the VSRD as being in liquidation.[2]

Design and History

The association’s logo was designed by Swiss graphic designer Walter J. Diethelm in 1971.[3] Diethelm (1913-1986) was a Zürich-based graphic designer and type designer who ran his own graphic design studio from 1954.[4] He gained international recognition for the publications “Signet Signal Symbol” and “form + communication,” produced with his wife Marion Diethelm, who contributed as a semiotics expert.[4]

The logo is catalogued as a logotype-pictures mark combining initials with representational elements. It incorporates the letter “V” and floral or plant imagery, consistent with the association’s health food retail focus.[3]

Meaning and Symbolism

The mark combines the initial “V” (for Verband, meaning association) with plant or flower forms, reflecting the natural products sector the association represented.[3]

Typography and Design

Diethelm was also a noted type designer, creating the Diethelm-Antiqua and Diethelm-Kursiv typefaces in the late 1940s.[5] However, no source documents which specific typeface was used in the association’s logotype. The logo is classified as combining letterforms with representational imagery rather than being a purely typographic mark.[3]

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