The Hakone Open-Air Museum (箱根 彫刻の森美術館, THE HAKONE OPEN-AIR MUSEUM) opened in 1969 as Japan’s first open-air sculpture museum, set on a roughly 70,000-square-meter site overlooking the mountains of Hakone in Kanagawa Prefecture.[1] The museum’s visual identity is closely tied to its founding era and to the graphic designer Hiromu Hara (1903–1986), a prominent figure in Japanese graphic design who helped found the Nippon Kobo studio in 1933.[2]
Design and History
In 1969, the year the museum opened, Hara created a silkscreen poster titled “The Hakone Open-Air Museum,” which is held in the collection of the Moravian Gallery in Brno, Czech Republic.[3] The poster, dated 1969 and acquired by the gallery in 1971, is catalogued as graphic design and measures 78.5 by 77.7 centimeters.[3] This work is part of a broader body of posters Hara designed for Japanese cultural institutions during the 1960s, including exhibitions at the National Museum of Modern Art, Tokyo.[4]
Hara’s connection to the museum extended beyond its opening year. He also designed the cover for the catalogue of the 2nd Hakone Open-Air Museum Grand Prize Exhibition, published by the museum in 1975.[5]
Meaning and Symbolism
The museum’s own materials describe its setting, where approximately 120 sculptures by leading modern and contemporary artists are displayed across the open-air grounds with the Hakone mountains as a backdrop.[1] The museum’s press materials describe it as having opened in 1969 as Japan’s first open-air museum, making use of its natural surroundings.[6] Beyond this contextual framing, no official source in the available research documents a specific symbolic meaning for the museum’s logo or mark.
Typography and Design
The museum’s official website displays the name “THE HAKONE OPEN-AIR MUSEUM” in its English-language materials, but no design specifications are published there.[1] A separate logo for the on-site café, “The Hakone Open-Air Museum Café,” was designed in 2015 by the Tokyo design studio Central Park, with drawing credited to Ai Sasaki.[7] This café logo is distinct from the museum’s own identity.
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